The New York Times - Recalling the Creation of Grace
She is transcendent and glowing: a mysterious woman in white. Standing center stage in a bandeau top with a strip of transparent fabric hanging down her front, and wide, loose pants, she remains still and rooted. This dancer, the mother god of Ronald K. Brown’s Grace, anchors the stage with a quiet strength as the sound of Duke Ellington’s “Come Sunday” builds, calling her body — and with it her costume, its fabric swelling and dipping like waves — to action.
