Repertory

Alvin Ailey American Dance Theater dancer Jamar Roberts makes his Ailey II choreographic debut with his work Gêmeos(Portuguese for twins). Loosely based on the relationship of Roberts and his brother growing up as children – one a dancer, the other an athlete – Roberts illustrates the dynamic between contrasting personalities and how they evolve from hostility to harmony. Using music with heavy percussion, brassy horns, groovy bass guitar, and the commanding singing style of Afrobeat star Fela Kuti, Roberts perfectly captures the energy of youth in Gêmeos.

Featured News Releases

Alvin Ailey American Dance Theater Presents Two Thrilling Programs At BAM (Brooklyn Academy Of Music), June 4-9, 2024

BROOKLYN, NY - May 15, 2024 - BAM is excited to welcome back the iconic Alvin Ailey American Dance Theater celebrating its 65th anniversary, June 4-9, bringing its kinetic energy and dazzling technique with two exuberant programs: "Contemporary Visions" - featuring pieces by renowned choreographers Alonzo King, Jamar Roberts, and Hans van Manen; and "All Ailey" - which includes Ailey's must-see masterpiece, Revelations.

Alvin Ailey American Dance Theater 2024 United States Tour Brings Celebratory 65th Anniversary Season To 21 Cities, January 25 - May 12 With Exciting New Works And Alvin Ailey's Timeless Revelations

NEW YORK – January 24, 2024 — After an acclaimed 65th Anniversary season launch in New York City, Alvin Ailey American Dance Theater – beloved as one of the world’s most popular dance companies – will continue to grace stages during a 21-city United States tour starting January 25 in Atlanta and continues coast-to-coast to cities like Washington, D.C., Miami, Boston, Chicago, Houston and Los Angeles, before culminating with a Mother’s Day performance in Newark on May 12. The passionate spirit and extraordinary technique of Ailey’s dancers will be showcased in a diverse repertory of new works, repertory favorites, and Ailey classics.

Alvin Ailey American Dance Theater Returns To Lincoln Center's David H. Koch Theater After Three-Year Absence From June 15-19

New York – June 2, 2022 – Alvin Ailey American Dance Theater, beloved as one of the world’s most popular dance companies, returns to Lincoln Center for the Performing Arts after a three-year absence for a six-performance engagement at the David H. Koch Theater June 15-19 that caps a decade of Artistic Director Robert Battle’s leadership. In addition to diverse programs featuring world premiere of Ailey Resident Choreographer Jamar Roberts’ In a Sentimental Mood and company premiere of Paul Taylor’s DUET, the season includes The Ailey Spirit Gala Benefit with Honorary Chair Grammy® Emmy® and Tony® Award-winning actress, singer and producer Cynthia Erivo; and An Evening Celebrating Jacqueline Green. Additional highlight includes free Ailey Extension “Dance in Times Square” outdoor workshop series hosted on Fridays at 5pm now through NYC Dance Week.

Featured Press Coverage

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Lighting & Sound America - Island Gods

Cuban-American choreographer Maija Garcia made her debut with Alvin Ailey American Dance Theater this fall with "Jazz Island." Based on a folktale from the book "Black Gods, Green Islands," by actor-director-designer and all-around polymath Geoffery Holder, it features Erzulie, Afro-Caribbean goddess of love, intervening in the affairs of young Bashiba, who is engaged, unhappily, to a young traveling man. Supplying the jazz in "Jazz Island" is a score by Trinidadian composer and trumpeter Etienne Charles.

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The New York Times - From Ailey, A New Work That's Old-School

The goddess of love drifts in on waves and wind. When the choreographer Maija García was invited to make her first work for Alvin Ailey American Dance Theater, this was the first image that came to mind. Then, a colleague directed her to “Black Gods, Green Islands,” a collection of Afro-Caribbean folklore written by Geoffrey Holder, the Trinidad-born artist, actor and dancer. The final story, “Goddess,” opens with almost the same image as the one in García’s vision. Taking this as a sign, she chose “Goddess” to adapt into dance.