Directors

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The New York Times - Robert Battle Likes To Cook, And Connect

The New York Times - Robert Battle Likes To Cook, And Connect

Since the pandemic lockdown in March, Battle has been consumed with keeping the company in shape until its dancers can safely return to the stage. From Aug. 6-12, a collaboration among Battle, his predecessor, Judith Jamison, and the choreographer Rennie Harris will stream on Ailey All Access. Battle has recently been considering the organization’s role in the Black Lives Matter movement. “I’ve been thinking a lot about the notion of, before it was a hashtag or a movement, that the Ailey company was demonstrating that Black lives matter in all of the work that we do,” he said. “But it’s almost not enough to live it. You have to say it expressly, that this is what we do and we are in solidarity. It’s not that we need to reinvent the wheel, but we need to roll it.”

Town & Country - Amazing Grace - Still, We Dance: An Ode To The Deliverance And Joy Of Self-Expression

Town & Country - Amazing Grace - Still, We Dance: An Ode To The Deliverance And Joy Of Self-Expression

Every year, in theaters and concert halls around the globe, the Alvin Ailey American Dance Theater takes audiences to church. Not just any house of worship, but the working-class, Black, Southern temples of rural Texas. The gospel they see and feel is Revelations, the company’s signature dance, which has been staged more often than the troupe’s other celebrated works, for some 25 million fans. This year Revelations turns 60, and it has lost none of its incantatory power.

Texas Monthly - How Alvin Ailey's 'Revelations' Has Helped Me Find My Way Back To Texas

Texas Monthly - How Alvin Ailey's 'Revelations' Has Helped Me Find My Way Back To Texas

One warm spring day in the late nineties, I walked hand in hand with my father as he led our family— my mom, my three siblings, and me—into Houston’s Jones Hall for an Alvin Ailey performance. At eight years old, I was more excited to be wearing my new theater dress for all of Houston to see than I was for the show itself. But that excitement quickly evolved into wonder. I don’t recall the name of the performance we saw, but I distinctly remember feeling admiration and reverence for what the dancers were doing in front of me. Before that day, I’d never seen such a large group of professional Black dancers on stage. Experiencing this performance in my youth was significant; it told me that my people were everywhere, and capable of doing everything.

CBS New York - All These Years Later, Alvin Ailey American Dance Theater Continues Spreading Message Of Inclusion

CBS New York - All These Years Later, Alvin Ailey American Dance Theater Continues Spreading Message Of Inclusion

While protests across the country call for racial justice, an organization in New York City has been spreading a message of inclusion for decades. And they’ve been doing it through dance. CBS2’s Jenna DeAngelis has more on the work of Alvin Ailey. A powerful video was created in the midst of protests, following the death of George Floyd. It featured poetry, paired with a universal language, which at times, says more than words. “We. Dance.” by Hope Boykin. “This was my form of protest. This was the way that I could say it best to honor the organization that had started doing this more than 60 years ago,” Boykin said.

CNN - Dance Troupe Tells The Story Of Massacre Of 300 Black Americans

CNN - Dance Troupe Tells The Story Of Massacre Of 300 Black Americans

Tulsa's 1921 massacre involved white mobs killing 300 black residents in their uniquely prosperous community. That painful chapter in American history was the focus of the Alvin Ailey American Dance Theater this season, before it was sprupt interrupted by covid-19 shutdowns. Now with this renewed attention on the Tulsa massacre, the dance group is streaming its Greenwood story starting this week. Artistic Director Robert Battle discusses Donald Byrd’s Greenwood.

Vogue - Alvin Ailey American Dance Theater Hosted Its Spirit Gala Online — And You Can Watch It Through June 18

Vogue - Alvin Ailey American Dance Theater Hosted Its Spirit Gala Online — And You Can Watch It Through June 18

This spring has seen ballet leap into the digital world... Hosted last night on YouTube, the night raised funds for the Ailey company as well as the Equal Justice Initiative (a non-profit organization providing legal representation to the wrongly convicted and the disadvantaged). The night would bring a world premiere, archival footage of one of Mr. Ailey’s first-ever performances, and an expanded reimagining of Revelations. With cameos and kind words delivered by Ailey fans like Cynthia Erivo, Leslie Odom, Jr., Timothy Shriver (whose own daughter was student at The Ailey School), Angela Bassett, and more, it was a celebration of the dance company’s rich history and a moment of much-needed togetherness in honor of Black Lives Matter.

The Wall Street Journal - 'Revelations' For Trying Times

The Wall Street Journal - 'Revelations' For Trying Times

Since 2013, the Alvin Ailey American Dance Theater has appeared annually at Lincoln Center's David H. Koch Theater. This year is the exception, somewhat. As part of its Ailey All Access series of online presentations, begun March 30 in the wake of the pandemic, the troupe has been working on ways to still offer a June season of a sort. Before the theater shutdown, live performances had been scheduled for June 10 to 14. Instead, starting this Thursday at 8 p.m. EDT, viewers at home will be able to stream a four-part mixed bill, performed on the Koch stage, the was filmed in 2015.

NPR's Here & Now - Celebrating 'Revelations' In These Times

NPR's Here & Now - Celebrating 'Revelations' In These Times

If life were normal this spring, the Alvin Ailey American Dance Theater would be on the road performing its annual national tour. They'd be celebrating the 60th anniversary of the company's signature work, “Revelations”, described by The New York Times as “modern dance's unquestionably greatest hit.”

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