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Dance Consortium - Dancers' Diaries: How Did I Get Here?

Sometimes I wake up in my hotel room in the middle of the night and wonder if it's all a dream - the rare locations, the lights, and the crowds pleading for encores. Am I really a professional dancer? Indeed, I remind myself before rolling over to fall back asleep...I am a profesional dancer with Ailey II!

Dance Magazine - Technique My Way

Watching Renee Robinson perform the "umbrella" solo in Alvin Ailey's Revelations is to truly experience Ailey's legacy. Her regality, energy, and joy are reminiscent of a young Judith Jamison.

NY City Center Playbill - City Center Opens the Door to Dance

Alvin Ailey American Dance Theater performed 39 times in December to enthusiastic packed houses at New York City Center, but there was a special quality to the cheering with which an equally large - but significantly younger - audience responded one Thursday morning during the season.

Dance Magazine - Dance Magazine Awards

At the Ailey Citigroup Theater last November, Dance Magazine honored four dance icoms for their enormous gifts to the community: Deborah Jowitt, Pilobolus, Irina Kolpakova, and Matthew Rushing.

The Root - Judith Jamison on Leaving Alvin Ailey

Judith Jamison has an awful lot of which to be proud. Under her leadership, begun in 1989 after the death of choreographer Alvin Ailey, the Alvin Ailey American Dance Theater has become one of the most popular and distinguished dance companies in the world.

The New York Times - Hellos and Thank Yous at Family Reunion

Judith Jamison is leaving the post of artistic director of the Alvin Ailey American Dance Theater with a smile and laughter. On Sunday night the company ended its annual season at City Center with a tribute to her that lasted over three hours.

Dance Magazine - 25 to Watch

Yannick Lebrun chosen by AAADT dancer Jamar Roberts, a 2007 "25 to Watch." I remeber him being this little, scrawny kid in The Ailey School - I mean, just like a pencil. He also did Ailey II, and I saw him perform 'Takademe' by Robert Battle. It was so astonishing because he has this really big facility and really wide range of movement in his limbs and extensions.

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