The Ailey Organization

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N'DIGO - Chicagoan Solomon Dumas

N'DIGO - Chicagoan Solomon Dumas

How did a young man, like you, from the South Side of Chicago become interested in dance? My mother was the one who insisted that I go to AileyCamp. I did a lot of community theater in the South Side of Chicago (I was interested in being an actor), and my mom thought it would be a good idea for me to know how to dance. She had seen Alvin Ailey American Dance Theater perform, and heard they were hosting a summer program for inner city children.

CBS Miami - Alvin Ailey American Dance Theater

CBS Miami - Alvin Ailey American Dance Theater

Focus on South Florida host Rudabeh Shahbazi sits down for an extended one-on-one interview with Robert Battle. The Liberty City native is the creative director of the Alvin Ailey American Dance Theater.

The Miami Times - Social Justice With A Beat

In 2016, during the U.S. presidential elections, world-class dancer Jamar Roberts was on a European tour. He said that everywhere he went, people seemed to be musing over the controversial political scenario. “It seemed like the whole world was watching for the outcome,” he said, “and sharing the same feelings of anxiety and uncertainty as to its and impact on everyone.” Roberts, a Miami native, processes that tumultuous moment through physical language. It was in that context that his choreography debut for the Alvin Ailey American Theater emerged. “Members Don’t Get Weary” is an artistic portrait and meditation on the current American social landscape, it speaks to a mix of worries about the economy, social injustice and violence.

WLRN - Alvin Ailey American Dance Theater Brings A Dance For Troubled Times

Seeing Alvin Ailey American Dance Theater for the first time is a rite of passage for anyone who loves dance (and for plenty of people who didn't know they did). Jamar Roberts first saw the company perform in Fort Lauderdale when he was a kid growing up in South Dade. Like so many of us, the first Ailey dance that swept him away was "Revelations," and for him, it was specifically the "Sinner Man" section. He's told he cried, though he doesn't remember that.

The Atlanta Journal-Constitution - 'Shelter' A Reminder Homelessness Still Pervasive

The Atlanta Journal-Constitution - 'Shelter' A Reminder Homelessness Still Pervasive

Alvin Ailey troupe revives classic work during run at the Fox. The sidewalks around the former Peachtree-Pine homeless shelter are now empty, but a few blocks up Peachtree Street, near the Fox Theatre, a woman is sometimes seen hundred in dirty blankets, sleeping on the sidewalk or staring into space. She's a reminder that "Shelter," choreographer Jawole Willa Jo Zollar's 1988 work on homelessness, remains relevant. The sign of people living on the streets troubled Zollar 38 years ago, when she first moved to New York City.

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