Repertory

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New York Post - Alvin Ailey Brings The Funk

Variety is the spice of Ailey. As artistic director Robert Battle winds up his second season, he continues to broaden the repertory - making for programming where the choroegraphy is (almost) as good as the dancing.

The Village Voice - I Almost Danced With Alvin Ailey!

Last Saturday, I saw a stunning Alvin Ailey evening of pieces like "Streams," "The Evolution Of A Secured Feminine," and "Urban Folk Dance." The night ended with "Minus 16," a jagged, exciting ensemble piece, performed in business suits and hats, with choreography by Ohad Naharin.

The New Yorker - Alvin Ailey, Sharing The Joy

If you haven't seen a performance by the Alvin Ailey American Dance Theater in a while, you might forget just how accomplished the company's dancers are. You know they can do anything, but the cisible evidence can leave you reeling.

Metro - Worlds Of Pleasure At City Center

A Saturday matinee at Ailey is a marvelous mix of kids and adults in holiday finery and some of the best dancers on the planet going all out to give their guests a good time.

The New York Times - The Sexual Duel In An Eyebrow-Raising Ballet

Jiri Kylian's "Petite Mort" is predictably a dance of duets. It takes two, as they say in another sexual euphemism, to tango. But before the six couples here reach their stylized climaxes, their entwined limbs alternately thrusting and splaying, the audience sees the men alone, moving in tandem with sinuous fencing foils: foreplay with props.

Financial Times - Steps In The Right Direction

When Judith Jamison retired in 2010 from what had become, under her two-decade leaderhsip, one of the most popular danc ecompanies in the world, some of us had already devised a wish list for her successor: what to keep and what to change.

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