Repertory

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Showing 111 – 120 of 322 Items
The New York Times - 'Just Speaking From My Body'

The New York Times - 'Just Speaking From My Body'

Every so often a great dancer transcends her own brilliance, somehow expanding its outer limit. Last week at City Center, Linda Celeste Sims, a member of Alvin Ailey American Dance Theater for 24 years, did just that in a rapturous performance of Ailey's 1971 "Cry," a 16-minute solo dedicated "to all black women everywhere - especially our mothers." This season Ms. Sims, 43, danced the work for the first time as a mother - she gave birth to her first child, Ellington, in May - and something shifted.

Dance Magazine - 25 To Watch

Dance Magazine - 25 To Watch

Khalia Campbell: Emotions flood through Khalia Campbell's every move. As "the umbrella woman" in Ailey's Revelations, her torso and arms ripple with joy. As a soloist in Darrell Grand Moultrie's Ounce of Faith, she turns heads with dancing that's smooth and silky, yet sharp and purposeful.

New York Times - Expressing A Sorrow Without End

New York Times - Expressing A Sorrow Without End

Say you're a choreographer and you want to make a dance about gun violence - not a polemical piece but a mournful one. How might you express a grief that's personal and public, and whose source shows no sign of stopping? An obvious option: bodies on the ground. And sure enough, those appear in Jamar Roberts's "Ode," which had its premiere at Alvin Ailey American Dance Theater at City Center on Tuesday. "Ode" isn't obvious though. It's delicate, daring and heartbreaking.

NPR - An 'Ode' To Victims Of Gun Violence - From Alvin Ailey Dancers

NPR - An 'Ode' To Victims Of Gun Violence - From Alvin Ailey Dancers

There are no gunshots in Ode. But it does begin with one dancer lying motionless on the floor, as a piano plays stark, detached chords. The dancer gets up and is eventually joined by five other dancers, in flowing, circular motions. They dance together as an ensemble, but then one dancer falls and crumples to the floor. He's picked up by another dancer, but then two of them fall.

Dance Magazine - The Dance Magazine Awards Celebrate Everything We Love About Dance

Dance Magazine - The Dance Magazine Awards Celebrate Everything We Love About Dance

What a night. The Dance Magazine Awards yesterday at the Ailey Citigroup Theater was jam-packed with love for dance. From legendary icons to early-career choreographers we can't stop obsessing over, the Dance Magazine Awards, presented by the Dance Media Foundation, recognized a wide spectrum of our field. And with more performances than ever before, the night was an incredible celebration of the dance community. As host Wendy Perron pointed out, in many ways, we doubled the usual fun this year: Some honorees had two performances, some had two presenters, and David Gordon and Valda Setterfield were themselves, well, two awardees.

WNYC - Donald Byrd's Theory Of Disruption

WNYC - Donald Byrd's Theory Of Disruption

It’s Morning Edition on WNYC. I'm Richard Hake. A new work of dance premiering tonight draws from the story of a racist mob attack in Oklahoma back in 1921. Greenwood will be performed by the Alvin Ailey Dance Theater. It explores the story of a massacre in the affluent black Greenwood district of Tulsa, known at the time as America's black Wall Street. Donald Byrd is the choreographer who created the piece. And it's our pleasure that he's with us this morning in the studio, Mr. Bird. Good morning.

WABC 7 - Celebrating 50 Years Of Alvin Ailey's Ailey School

WABC 7 - Celebrating 50 Years Of Alvin Ailey's Ailey School

In March of 1958, Alvin Ailey and a small group of dancers first performed at the 92nd street "Y" on the Upper West Side. Nine years later, he started the Ailey School. Now, 50 years later, the school continues celebrating Ailey's vision. "He could see almost the future in dance, and what he did, he did with such heart and honesty and love that it still is alive today," co-director Tracy Inman said. And it shapes these dancers are both personally and professionally. Young people from all over the world go there to learn and perfect their craft. Guided by Mr. Ailey's mission that dance is for everybody, the young people pour every ounce of their souls and bodies into their craft. The Alley School has trained 75% of the current members of the first company.

NBC 4 New York - Positively Black: Donald Byrd

NBC 4 New York - Positively Black: Donald Byrd

Tracie Strahan speaks with Tony-nominated Alvin Ailey American Dance Theater choreographer Donald Byrd about "Greenwood," a new piece that premieres Friday at New York City Center.

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Showing 111 – 120 of 322 Items