Alvin Ailey

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Showing 31 – 40 of 55 Items
Playbill - Celebrating Chaya: 5 Decades Of Ailey History

Playbill - Celebrating Chaya: 5 Decades Of Ailey History

Masazumi Chaya starts off an interview in his office on the subject of food, recalling when he used to cook meals for his fellow Company members, including his especially popular chicken with ginger soy sauce. With his warmth, enthusiasm, and easy sense of humor, Chaya (as he is known) seems like an ideal dinner companion. The primary recipe that Chaya has developed is the singular position - Associate Artistic Director - which he has decided to relinquish following this City Center season after nearly 3 decades.

National Museum Of African American History & Culture - Alvin Ailey Photography Collection Is Now Available To The Public

National Museum Of African American History & Culture - Alvin Ailey Photography Collection Is Now Available To The Public

On World AIDS Day and the 30th anniversary of Alvin Ailey’s death (Dec. 1), the Smithsonian’s National Museum of African American History and Culture is making available the collection of more than 10,000 photographs chronicling the Alvin Ailey American Dance Theater from 1961 to 1994. The Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection includes 8,288 black-and- white negatives, 2,106 color slides and transparencies, and 339 black-and-white prints depicting private photo sessions, repertory by Alvin Ailey and a wide range of choreographers and iconic solo performers.

The New York Times - Modern Dance Finds An Unexpected Home

The New York Times - Modern Dance Finds An Unexpected Home

The dance world doesn't always escape the land of television without a bruise or two. The camera loves nothing more than a bloody toenail. And then there's "Pose," on FX. This look at the ballroom scene in New York City is equal parts grit and glamour. Its horrifying moments don't have anything to do with perpetuating stereotypes about a dancer's pain, but with the brutality of AIDS, which devastated the dance community.

Shondaland - Judith Jamison Takes Us Through 60 Years Of Alvin Ailey's Brilliance

Shondaland - Judith Jamison Takes Us Through 60 Years Of Alvin Ailey's Brilliance

When Judith Jamison joined the Alvin Ailey American Dance Theater in 1965, there were 10 dancers in the company. Today, six decades after Ailey and a small group of black dancers gave their inaugural performance at the 92nd Street Y in New York City, his legacy now includes more than 250 original ballets, 30 dancers, a robust educational and training program, and sold-out performances all across the globe.

The New York Times - Special Sunday Insert: Uplift!

The New York Times - Special Sunday Insert: Uplift!

By Zadie Smith. When I was about 12, the Alvin Ailey American Dance Theater came to town and my mother took me to see them. It was a trip for just us two, and I was a little reluctant, suspecting some species of racial uplift, which I felt I could receive far more easily by staying in my room, listening to Movie Love and watching Cameo's "Word Up" video on repeat. I was suspicious of racial uplift in general. The way it always seemed to point in the same direction, toward the supposed "higher" arts: the theater but not the television, opera singers but not beatboxers, ballet dancers but not body-poppers. No Jamaican mother ever ran into a kid's bedroom, waving a cassette, crying: "Have you heard 'Push It'? It's by some brilliant young ladies from New York!" Yet I couldn't imagine anything on the legitimate stage meaning as much to me as Salt-N-Pepa's bump and grind.

Associated Press - Ailey Troupe Marks 60 Years By Looking Back At Its Founder

Associated Press - Ailey Troupe Marks 60 Years By Looking Back At Its Founder

NEW YORK (AP) — It was March 1958 when an African-American dancer named Alvin Ailey, then making his living on the Broadway stage, gathered up a group of fellow dancers and presented a one-night show of his own works. In the audience at the 92nd Street Y in Manhattan was 18-year Sylvia Waters, who was studying dance across town at Juilliard. She had never seen anything like it. “It was absolutely riveting,” she says now. “I had never seen men dance like that.” Most exciting to Waters was seeing people dance “who I could relate to,” she says. “There was something so visceral about the experience. We didn’t know at the time that it was history, but it was definitely special.”

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Showing 31 – 40 of 55 Items