“Still we dance” is the new slogan of the celebrated Alvin Ailey Dance Theater Company, which is opening its season Wednesday night at the New York City Center. It’s the first time they’ll perform live on stage in two years. PIX11’s Hazel Sanchez got a behind the scenes look at how the performers have prepared to inspire audiences in-person once again. Performances run for the next three weeks.
Alvin Ailey American Dance Theatre returned to the stage Wednesday. Former dancers, including Judith Jamison, walked the red carpet at the dance company’s opening night gala at New York City Center in Midtown. Because of the pandemic, last year’s gala and season were virtual.
"I'm just thrilled that we are going back and getting feedback in real time from the audience, that's the secret sauce," Alvin Ailey Artistic Director Robert Battle said. No one knew it, but the season finale on January 5, 2020 would be the last time.
"He’s just as important as Michael Jordan,” said Tremaine Emory. Emory was referring to Alvin Ailey, the Black activist and choreographer who founded the Alvin Ailey American Dance Theater in 1958, when Black stories weren’t being told onstage through modern dance. His name isn’t as familiar as Michael Jordan’s, but his impact is far reaching. Ailey passed more than three decades ago, but his name still lives on through the dance company that he founded and the work he contributed. In 1960 he produced “Revelations,” a piece that tells the story of African American culture from slavery to freedom, and is still being performed by his company today. Emory, the designer behind Denim Tears, wanted to honor that with his newest project, an apparel collection called Cry/Revelations that was produced by Champion. Emory said Champion approached him about a collaboration and he immediately knew he wanted to do something connected to Alvin Ailey.
Exploring the life and legacy of Alvin Ailey in the film “Ailey,” a profile on the legendary choreographer featuring historic performances and interviews.
Last summer, Jonathan Stafford, the artistic director of New York City Ballet, was feeling isolated and anxious. It was a few months into the pandemic, and the strangeness of lockdown and the turmoil and urgency of the Black Lives Matter protests were on his mind. City Ballet’s performances, programs and plans had come to an abrupt halt — as they had for performing arts organizations across the country. No one knew when or how theaters would open again. Stafford called Robert Battle, the artistic director of Alvin Ailey American Dance Theater, to chat. “This is great,” Battle said after they had spoken for a while. “I wish we were talking to other artistic directors.”
Alvin Ailey American Dance Theater’s coming season at New York City Center will celebrate Robert Battle’s 10 years as artistic director, the company announced Wednesday. After the difficulties of the past 17 months, Battle is more open to embracing the occasion than he might otherwise have been.
Director Jamila Wignot discusses AILEY, which is out now in theaters.
Memory was the anchor of famed choreographer Alvin Ailey’s work, the fuel behind the joy and restraint in his massively successful fusion of Black culture, theater and modern dance in the 20th century. That’s what those who knew and worked with him say in new documentary “Ailey,” which examines Ailey’s life and explores how to best remember a man who died more than 30 years ago but still lives on in the steps of those learning the moves he committed to dance doctrine.
The documentary "Ailey" tells the story of the late Alvin Ailey, who founded the Alvin Ailey American Dance Theater in 1958. Host Robin Young speaks with the film's director Jamila Wignot and Judith Jamison, a dancer and artistic director emerita of Alvin Ailey's company.