The Alvin Ailey American Dance Theater is coming to Charleston. The world-famous African American dance troupe performs at the Gaillard Tuesday and Wednesday. One of the dancers taking the stage is a young woman who grew up in North Charleston. Ashley Green is a 2016 graduate of the Charleston County School of the Arts.
As a Black girl from the inner city of Baltimore, I hadn’t known anything about the codified world of dance growing up. Ballet was something I had only seen on TV—and who I saw in it never looked like me. I never thought that would be my future. My first introduction to dance was at my audition for the Baltimore School for the Arts, and from there a love bloomed.
Pittsburgh native James Gilmer always had a love for the arts. Growing up in a family that was musically and artistically inclined sparked an interest in dance at an early age. His parents began cultivating his love for dance by putting him in a ballet and tap sampler class at the Larry Cervi School of dance when he was just five years old. Gilmer went on to receive a scholarship to attend the Pittsburgh Ballet Theatre School when he was 8 years old. After graduating high school, he was accepted into the second company at the Cincinnati Ballet and joined the main company shortly thereafter. Eventually he went on to dance with ODC Dance Company in San Francisco before landing his dream job in New York. In 2019, Gilmer became a member of the prestigious Alvin Ailey American Dance Theater. Gilmer spoke with the SUN about his journey in the world of dance, his dream job with the Alvin Ailey American Dance Theater and the Alvin Ailey American Dance Theater’s upcoming performance at the Kimmel Center Cultural Campus.
When he became the artistic director of Alvin Ailey American Dance Theater 10 years ago, Robert Battle stopped seeing himself as a choreographer. “In fact,” he said in a recent phone interview, “there were parts of me that didn’t really think I would make another work.” Paradoxically, making work is precisely why Battle had landed at Ailey in the first place in 2011. It was his skill as a choreographer and director of his own small troupe, Battleworks Dance Company, that caught the attention of one of the world’s most prestigious modern-dance organizations. Judith Jamison, Battle’s champion and predecessor at Ailey, hailed him as “the creative force of the future.”
Alvin Ailey American Dance Theater member Courtney Celeste Spears corresponded with Ballerina Book Club for “Friend Picks” about her favorite books, how reading informs character development, dancing at Ailey and her Bahamas-based organization ArtSea, which she started to share her love of dance and give back to the local community. Follow her on Instagram at bahamaballerina.
After two decades, the acclaimed dancer has retired from the company where he made a huge splash in contemporary dance—but, as he explains to Vanity Fair, this is just the beginning. On a Monday afternoon in late November, Jamar Roberts, a longtime star of the Alvin Ailey Dance Theater, was standing in a studio at the company’s expansive, glass-walled school in midtown Manhattan. But instead of joining the group of barefoot and masked dancers as they rehearsed his piece “Holding Space,” Roberts wore cargo pants and kept on pair of black-and-white polka dot Converse. In August, the 39-year-old dancer announced his retirement from the company he’d been a part of since 2002. Now, he watched the rehearsal as choreographer.
What’s next? Our annual list of dancers, choreographers and companies on the verge of breaking through offers several answers to the question of where our field is headed. We’re betting we’ll be seeing—and hearing—more from these 25 artists not just this year, but for many more to come... 23-year-old Ashley Green picked up a 2021 Princess Grace Award last summer, and shortly thereafter moved across the country to join Alvin Ailey American Dance Theater.
December is never a breeze for an Alvin Ailey dancer, but recently — amid rehearsals and with a performance looming that evening — James Gilmer found himself in an empty closet on the studio side of New York City Center. Armed with a late lunch, he was using his only break of the day for an interview. But as he sees it, it’s better not to waste time.
Texture Diaries is a space for Black people across industries to reflect on their journeys to self-love, and how accepting their hair, in all its glory, played a pivotal role in this process. Each week, they share their favorite hair rituals, products, and the biggest lessons they’ve learned when it comes to affirming their beauty and owning their unique hair texture.For Alvin Ailey dancer Chalvar Monteiro, “movement was always a natural response. If there was music on, I was most likely already on my feet trying to bring the music to life.” Now, he’s bringing this talent to the stage at New York City Center, after two years away due to the pandemic.
Perhaps you don't remember the exact steps or the story behind the dance. What's unforgettable, however, is the dancer the tall, commanding man whose strength and grace are barely contained on a stage. Jamar Roberts, the resident choreographer of Alvin Ailey American Dance Theater, has been a captivating presence with the company for nearly 20 years. His last dance with Ailey will be Thursday at the troupe's Manhattan home, New York City Center. The program, "Celebrating Jamar Roberts: Jamar Roberts Solo/ Holding Space/ For Four/ Revelations," is part of the company's annual residency at the New York City theater through Dec. 19.