Judith Jamison sits down with Sister Circle hosts Rashan Ali and Syleena Johnson to discuss Alvin Ailey American Dance Theater’s upcoming engagement at the Fox Theatre in Atlanta during the company’s 60th anniversary.
In this interview on "City Lights with Lois Reitzes" artistic director emerita Judith Jamison speaks about the company's 60 year legacy of transforming the ways that we express and understand ourselves and our culture through dance.
A dancer isn’t always born a dancer. Sometimes a mother has to step in. Growing up on the South Side of Chicago with his single working mother, Solomon Dumas was involved in community theater and interested in the arts. But dance wasn’t much of a presence in his life until his mother signed him up for AileyCamp, when he was 12.
In 1958, dancer and choreographer Alvin Ailey created a home for dancers to explore identity and self-expression through their art and the dance theater remains a culture institution. ABC's Zachary Kiesch goes behind the scenes of Ailey's 60th and the creation of Lazarus, the Company's first ever two act ballet by hip hop choreographer Rennie Harris.
The Alvin Ailey American Dance Theater celebrates 60 years of achievement of the pioneering legacy of Alvin Ailey that began as a one night engagement that evolved beyond limits to a new era in the arts, naming him "one of the groundbreaking greats in modern dance history." Judith Jamison, Artistic Director Emeritus joins us to discuss her life and work with Ailey... past, present and future.
The Alvin Ailey American Dance Theater celebrates 60 years with an Opening Night Gala. Celebrity guests included Jane Krakowski, Angela Bassett, and Cicely Tyson.
NEW YORK (AP) — It was March 1958 when an African-American dancer named Alvin Ailey, then making his living on the Broadway stage, gathered up a group of fellow dancers and presented a one-night show of his own works. In the audience at the 92nd Street Y in Manhattan was 18-year Sylvia Waters, who was studying dance across town at Juilliard. She had never seen anything like it. “It was absolutely riveting,” she says now. “I had never seen men dance like that.” Most exciting to Waters was seeing people dance “who I could relate to,” she says. “There was something so visceral about the experience. We didn’t know at the time that it was history, but it was definitely special.”
Ailey's troupe, timeless yet current. New York City Center celebrated its 75th anniversary last week. That milestone nearly coincided with the annual five-week Christmas season of the Alvin Ailey American Dance Theater, the theater's first resident modern dance company, itself celebrating an anniversary this year, its 60th.