Alvin Ailey American Dance Theater

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ELLE - Dancer Samantha Figgins Finds Balance

ELLE - Dancer Samantha Figgins Finds Balance

Dance is all about balance: long lines, landing exaggerated pirouettes, and maintaining perfect form from head to toe. Often, that sense of balance—of remaining strong and steady through every turn—starts in the ear. Samantha Figgins knows this all too well. A life-saving surgery during infancy left her with unilateral hearing loss, or deafness in one ear (her right). In our latest episode of The Movement, Figgins reveals the life-changing decision that allowed her to hear — and perform — fully, for the very first time.

New York Amsterdam News - The Alvin Ailey School: 50 Years And Still Going Strong

New York Amsterdam News - The Alvin Ailey School: 50 Years And Still Going Strong

On Thursday, June 13, the centerpiece of Alvin Ailey American Dance Theater’s Lincoln Center engagement will be The Ailey Spirit gala, which launches the 50th anniversary celebration of The Ailey School. The evening’s honorary chair isaward-winningactressLorraine Toussaint, star in NBC’s “The Village,” Netflix’s “She-Ra and the Princesses of Power,” AMC’s “Into the Badlands,” and the recently released supernatural thriller “Fast Color” and also the proud parent of a student at The Ailey School.

Shondaland - Judith Jamison Takes Us Through 60 Years Of Alvin Ailey's Brilliance

Shondaland - Judith Jamison Takes Us Through 60 Years Of Alvin Ailey's Brilliance

When Judith Jamison joined the Alvin Ailey American Dance Theater in 1965, there were 10 dancers in the company. Today, six decades after Ailey and a small group of black dancers gave their inaugural performance at the 92nd Street Y in New York City, his legacy now includes more than 250 original ballets, 30 dancers, a robust educational and training program, and sold-out performances all across the globe.

The Baltimore Sun - Ravens Defensive Tackle And Alvin Ailey Dancer Swap Moves To Launch New School Program

The Baltimore Sun - Ravens Defensive Tackle And Alvin Ailey Dancer Swap Moves To Launch New School Program

Few fans of football and modern dance will ever get to see the two worlds collide on stage. Tuesday afternoon at Henderson-Hopkins Partnership School, about 55 students from Henderson-Hopkins Partnership School and Baltimore Leadership School for Young Women witnessed just that as Ravens defensive tackle Brandon Williams cut the rug with Courtney Celeste Spears, a Baltimore native and a dancer with the acclaimed Alvin Ailey American Dance Theater.

Dance Spirit - How Ailey's Samantha Figgins Dances With Hearing Loss

Dance Spirit - How Ailey's Samantha Figgins Dances With Hearing Loss

Samantha Figgins is currently in her fifth season with the Alvin Ailey American Dance Theater (and was a Dance Spirit cover girl back in 2013!). But what many people don't know is that the gorgeous dancer suffers from single-sided deafness. As a baby, Figgins contracted spinal meningitis, which caused her to lose all hearing in her right ear. She never gave up on her dance dreams, though, and fought her way through uncomfortable situations, never missing an opportunity to learn and grow. Now, after getting her first pair of hearing aids, she opens up about her path to success. —(As told to Courtney Celeste Spears)

The New York Times - Special Sunday Insert: Uplift!

The New York Times - Special Sunday Insert: Uplift!

By Zadie Smith. When I was about 12, the Alvin Ailey American Dance Theater came to town and my mother took me to see them. It was a trip for just us two, and I was a little reluctant, suspecting some species of racial uplift, which I felt I could receive far more easily by staying in my room, listening to Movie Love and watching Cameo's "Word Up" video on repeat. I was suspicious of racial uplift in general. The way it always seemed to point in the same direction, toward the supposed "higher" arts: the theater but not the television, opera singers but not beatboxers, ballet dancers but not body-poppers. No Jamaican mother ever ran into a kid's bedroom, waving a cassette, crying: "Have you heard 'Push It'? It's by some brilliant young ladies from New York!" Yet I couldn't imagine anything on the legitimate stage meaning as much to me as Salt-N-Pepa's bump and grind.

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